VIFF – Nicolas Demers

Vancouver International Film Festival Review: The 4th Revolution: Energy Autonomy

The 4th Revolution is a showcase of the future: the technologies, the vision, and the visionaries that will take us away from a reliance on fossil fuels, and towards clean renewable energy for everyone.

Guess I should finally blog about the last movie I saw in the VIFF, and by far the most uplifting.

It’s possible. There are so many bright, dedicated people all over the world, from Germany to China to Mali to Bangladesh, working tirelessly in ways big or small to change lives or change minds: designers making electric cars look sexy, neighbours cooperating to upgrade an apartment building with solar generators, the economist who pioneered microlending, the people installing small solar panels in rural Africa.

Energy autonomy is more than just saving a few bucks on your electric bill. First, it’s about saving a lot of bucks on the electric bill. Solar panels on individual buildings or houses, combined with other upgrades to cut down on, e.g., unnecessary air conditioning, can cut external power consumption drastically. But it also means economic autonomy. The Mali Folke Centre is a case in point: by promoting the use of solar energy in regions where electricity is extremely rare and expensive, they allow people to regularly work after dark. Not a big deal? But as programme coordinator Ibrahim Togola explains, it opens the door for people to create new enterprises, and move Mali away from a purely resource-exporting base for its economy.

The stakes are enormous, and so are the obstacles: lack of political will in many countries, not least being the USA; entrenched interests in the coal/gas/oil industry, and the simple fact that reworking out energy infrastructure will be a difficult process. But the general consensus is that the transition is indeed possible, and so the movie ends with a positive note.

Vancouver International Film Festival Review: Insomnia

More Canadian shorts, but these are more focused on art and the artist’s life.

L’année de l’os

Some weird abstract shit. Pretty entertaining under different circumstances, but it was also fairly hypnotic and I think it put me to sleep. Not kidding, but I also blame the fact that I was tired that day.

The Sapporo Project

A lovely animated short featuring the work of Japanese artist and calligrapher Gazanbou Higuchi.

Lippset Diaries

An imaginary peek inside the tortured mind of experimental filmmaker Arthur Lippset

Madame Perrault’s Bluebeard

A disturbing retelling of the story of Bluebeard, where fiction and reality merge.

Figs in Motion

Two butch daddies put on tutus and prance about. Then they put on horse heads and keep going. Very, very cute.

Ghost Noise

The longest film of the series, this is a look at Inuit artist Shuvinai Ashoona, her life in Cape Dorset, and the strange, wonderful things going through her mind.

Flawed

A long-distance relationship between an artist and a successful plastic surgeon, narrated by the artist herself and illustrated with hand-painted postcards. The resolution definitely counts as a Crowning Moment of Heartwarming

Break a Leg

An aspiring actor rehearses a scene with his grandson in a diner. Better than it sounds.

Labour Laws

Anything a woman can do, she can do pregnant! Wait, even pole dancing? Sure! Why not?

Exposed

An elevator breakdown leads to a moment of passion between a photographer and his surprise subject. Hilarious and erotic.

Ladies and Gentlemen: Biddie Schitzerman

An eightysomething standup comedienne’s last show with her loyal sidekick. Or is it? CMoH #2 of the night.

Vancouver International Film Festival Review: Amnesia

Some fine, fine Canadiana on display in this collection of short films! Touching, funny, or just creepy, but most of all, very bilingual! I’m not exactly sure what amnesia has to do with Canada, and I didn’t see any particular theme amongst the films… But anyway, on to the reviews!

Moi non plus (Me Neither)

The first, and weakest, short. A Concordia (I think) student must deal with a relationship with a powerful politician, who seems to be tangled in shady businesses, and a surprise affair with a charming fellow student. Unfortunately the characters weren’t really developed, and the ending was anticlimactic and predictable.

Mind the Gap

But now we’re picking up steam! This hilarious little film pairs up a beautiful but seriously messed up young woman with a sweet older gentleman. Stuck together on a train, she talks his head off about whatever flashes through her tiny brain. We laugh, we cringe, we want to slap some sense into her. Good times.

Naissances

A teenager who just had an abortion and a lonely handyman bond over lies. Quiet, sad and beautifully done.

Transmission

A tow truck driver just struggling to get by finds his day getting worse and worse. A simple slice of life, with disturbingly believable characters.

La dernière rondelle (The Last Time Around)

An old hockey player suffering from Alzheimer’s goes on the ice one last time. Wordless, and deeply moving.

Au milieu de nulle part ailleurs (Nowhere, Elsewhere)

A little boy who can see the Virgin Mary, a grandmother who might see ghosts, and a mother who thinks she might join them. Weird, crazy, dizzying, creepy.

Original Sin

Choices, order, and control freakery. Weird but hilarious.

Chloe and Attie

An old lady who can… make people kill each other through their iPods? I don’t know what that was about, but it was pretty damn chilling.

A Fine Young Man

A hilarious parody of Cold War paranoia and jingoism (filmed on location in Vancouver! Didn’t recognise the street, though…) What’s more important that beating those dirty Commies to the Moon? The answer may surprise you…

The Closer You Get to Canada

And the black humour continues! In the year 2060, overpopulation is no longer a problem. Running out of animals to hunt used to be a problem, but not anymore…

Vancouver International Film Festival Review: Palimpsest

Gustav Shpet: Russian philosopher, teacher, writer, polyglot and interpreter; born in Kiev in 1879; exiled to Tomsk, Siberia in 1935; executed in 1937.

This movie is mostly narrated by Shpet’s 92-year old daughter Marina in a series of informal interviews, intercut with contemporaneous film reels, photos and music, as well as Shpet’s letters to Marina during his exile.

Gustav Shpet: Russian philosopher, teacher, writer, polyglot and interpreter; born in Kiev in 1879; exiled to Tomsk, Siberia in 1935; executed in 1937.

We follow Marina as she visits the university (much changed) where her father taught, the church she occasionally attended in the 30’s (hardly changed); tries to visit the apartment where she lived (security wouldn’t even let the film crew and her through the front door); tells the story of her husband, who died one year after her father, working to take down the Russian coat of arms from the Kremlin’s Spasskaya tower and replace it with the tacky red neon star that still shines today.

And we visit a Tomsk museum to Siberian exiles. Shpet is just one of hundreds of names that came to Siberia, one face on a whole wall of faces. The museum curator tells visitors that the NKVD actually planned their purges and ethnic cleanses, with expected minimums (quotas?) of roundups for each region per year.

In the end this is not a story about one man, smart and accomplished though he was. It’s a story about memory, connecting with our past the better to understand our present. And it’s about a past that’s always present no matter how much we try to erase it—streets and buildings, phrases, memories. The Soviet regime did their best to erase ideas, thoughts, and people. To a degree they succeeded, but only to a degree. Shpet told his daughter that “culture, culture, not politics” is what will keep us moving forward. Without going into too much detail, I tend to agree. Culture, memory both individual and collective, this is vitally important to identity and progress.

Palimpsest was preceded by the short Heart in the Wrong Place (original title: Tener el corazón en el lugar equivicado), featuring the extremely awesome experimental filmmaker José Antionio Sistiaga.

Vancouver International Film Festival Review: The Eye 3D

This hour-long film takes us on a tour of the Very Large Telescope array in Cerro Paranal, Chile—the most powerful deep-space telescope in the world. We hear the scientists and technicians describe their work and discoveries, and through them get a tantalising glimpse of the cosmos.

I expected to see lots of grand starscapes, as in that IMAX movie on Hubble, but we only see a little bit of those right at the beginning, to get us in the mood. The rest of the movie is very down to earth, a lot of it dealing with life at a compound in the middle of nowhere, and the nitty-gritty details of scientific research and making those ginormous telescopes work. And you know what? This was just as inspirational. The people there absolutely love their work: the phrase “dream come true” comes up at least twice from resident scientists; one relatively minor technician also waxes rhapsodic about the VLT’s work in pushing back the boundaries of knowledge, and awesomely refers to the community of workers as his second family.

But we also hear about the science, and it is beautiful: from the supermassive black hole at the core of our galaxy (indirectly detected from tracking the movements of nearby stars, themselves detectable only by the VLT), to another scientist’s research into extragalactic black holes and how our own black hole applies to that, to monitoring the ancient light of unbelievably faraway galaxies… Man, working there really would be any astronomy geek’s dream come true.

The ESO is planning an even larger telescope array, called the Extremely Large Telescope. The location still hasn’t been decided as far as I know, but one candidate site is not too far from the Cerro Paranal—it’s really an ideal region, high up and very dry all year round. Even now the next generation of astronomers, in high school or university, are dreaming and working and a select few will get to work on the ELT, looking for Earth-like planets around distant stars and studying light remnants from the first generation of galaxies.

PS: The movie was in 3D, which I found pretty unnecessary. I’m no fan of 3D to begin with, and with most of the scenes being talking heads, or indoors, I really didn’t see why I had to wear an extra pair of glasses. Meh. Still, that was the only sore point.