Heartbeat

Oh my dear Lord. Here I was, minding my own business, when I stumbled on this review of Don Johnson’s Heartbeat. If you grew up in the 80’s as I did, and haven’t totally repressed the memories, then this video should need no introduction.

Oh my dear Lord. Here I was, minding my own business, when I stumbled on this review of Don Johnson’s Heartbeat. If you grew up in the 80’s as I did, and haven’t totally repressed the memories, then this video should need no introduction. Those of you asking “Whose Heartbeat? Don Johnson’s what?” please enjoy this quintessential slice of 80’s kitsch, available through the magic of the internet.

View on YouTube

Comic Book Review: WitchCraft

A savage murder in ancient Britain brings on the vengeance of the Hecateae, Goddess of Witches, She who is Maiden, Mother and Crone. From the Middle Ages to the Victorian Era to the 1990’s, the wheel of death and rebirth brings the victim and her killer ever closer to a final confrontation.

A savage murder in ancient Britain brings on the vengeance of the Hecateae, Goddess of Witches, She who is Maiden, Mother and Crone. From the Middle Ages to the Victorian Era to the 1990’s, the wheel of death and rebirth brings the victim and her killer ever closer to a final confrontation.

This 3-part miniseries (published April–June 1994) is one of the first titles I read when I started exploring Vertigo. I loved it right away, because it spoke directly to my politics and spirituality. As a queer, I was (and still am) aware of the connections between homophobia and misogyny, and have identified as feminist from the beginning. And, at the time, I was flirting with Neo-Paganism and Wicca, and the image of the Triple Goddess was a powerful one I was already familiar with. WitchCraft is about women first and foremost; it is intended as a tribute to women’s spirits in the face of oppression, and a grim reminder that being a woman isn’t necessarily easy, no matter what century you live in. In every era the killer is an arrogant bastard who despises and tries to dominate women. In every era but one the victim is a woman who was terribly wronged by the killer in some way, but triumphs over her adversities with some help from the Goddess. The only thing that slightly bothered me was that such a female-centered story was written by a man (name of James Robinson). That didn’t seem appropriate, somehow.

So how does WitchCraft hold up after a decade? Surprisingly well. The message still speaks to me though, yes, I do find the moralizing somewhat heavy-handed and tiresome. When the comic first came out I remember some people complained it was “male-bashing,” and I see how it could look like that. There aren’t many grey areas here: Women = good/wise/oppressed. Men = evil/reckless/rapists. On the other hand, though a lot of the characters are stereotypes, they’re sadly not that far-fetched; there are men even today who are as bad as the story’s villain in all his reincarnations. I’ve known at least one guy like Martyn (the 1990’s killer), calmly spouting the most revolting misogynistic crap, that women are evil and have too much freedom as it is… So the message (if not the mysticism) is still something I can relate to. I’m not sure if I’d buy the comic today, but I still give it high marks.

Tofino and Back

Last week I had friends visit from Ottawa (not just to see me, tho: they’ve gone on an Alaskan cruise) and we spent a few days in Tofino. I picked them up at the airport Monday evening, and we headed down to Tsawwassen to take the Victoria ferry. We spent most of Tuesday traveling across the island; we could have done it in a few hours, but why rush? There was so much to see on the way.

Last week I had friends visit from Ottawa (not just to see me, tho: they’ve gone on an Alaskan cruise) and we spent a few days in Tofino. I picked them up at the airport Monday evening, and we headed down to Tsawwassen to take the Victoria ferry. We spent most of Tuesday traveling across the island; we could have done it in a few hours, but why rush? There was so much to see on the way.

Saanich Inlet

In Duncan, we stopped at the Quw’utsun’ Cultural Centre, where we looked at some totem poles and watched an interesting short film on the Cowichan people’s history and culture. Petroglyph Park was a bit of a disappointment, though—maybe I didn’t look in the right places, but the glyphs just weren’t that visible. it’s possible I was expecting big showy art like Cro-Magnon cave paintings. Oh, well; maybe I’ll give it (or other petroglyph sites on Vancouver Island) another go if I’m ever in the area again. Everything else about our trip across the island was stunning, though, from the big mountains to the serene lakes to the little creeks bubbling merrily by the highway.

Wally Creek

We stayed at the Pacific Sands resort, right by Cox Bay Beach. I took a walk on the beach that night, away from the resort, and was struck by the dizzying and awesome sight of the night sky crowded with stars. Equally awesome: the roaring blackness that was the Pacific, broken only by the foam on top of the waves, faintly reflecting the light from the resort. Having lived in cities all my life, I found such complete darkness disorienting and more than a little scary.

On Wednesday morning we took a walk on the beach at low tide and goggled at the stunning critters we found. There were big gorgeous starfish, several kinds of sea anemones, mussels, barnacles and more. I’d only thought about tides in the abstract, caused by the motion of the sun and the moon, but here it was real: there was the intertidal zone, covered in barnacles and mussels. This was nature, not in a zoo; powerful, untamed, dangerous and fascinating.

Pretty Starfish

Then, whale watching! We’d heard that gray whales had been sighted feeding in the area, so decided it was worth the risk of seasickness. I took lots of pictures of the nearby islands as we went past them, for reference. I think in the back of my mind I wanted to piece together a map of the area, and match island names with their actual appearance. But when I sorted through the pictures later, they pretty much all looked like nondescript rocks rising from the sea. Oh well. I did get a couple of pretty good shots of a gray whale. I was lucky to even get those, because as big as those creatures are (up to 15m), they’re very small compared to the very big Pacific Ocean. Most of the time all I could see was their spout in the distance.

Gray Whale

The best part was, I didn’t get seasick (though I got pretty worried the first time we cut engines to watch for whales). The credit goes to the two Gravols I took, and also to my always being on my feet and adjusting for the motion of the boat. In fact, I deliberately tried to imagine I was the one controlling the rocking, which I think helped even more. On the way back, the wind picked up and the waves got even worse. But I stayed abovedecks, even though I wore only a t-shirt and light jacket, because I knew if I went below I’d have a much better chance of being sick. I preferred to freeze, endure the wind and the spray (like needles on my face, it was!), than share my lunch with the fishes.

More Pounding Waves

Before docking we passed by a bald eagle’s nest on one of the little islands between Tofino and Meares Island, but it was too far for me to get a clear picture. That’s okay, though: I saw lots of bald eagles (another first for me) soaring majestically around the area.

We started back on Thursday, stopping to explore a couple of trails south of Long Beach, ending up in a little sheltered cove. My inner scientist perked right up, because it made an interesting contrast with Cox Bay Beach. Now, Cox Bay is a sandy beach, very exposed, with no (or very few) off-shore rocks. It has life, but only the kind of life that can hang on to bare rock and endure the strong tides: barnacles, mussels, anemones, starfish. This little cove, on the other hand, was a gravelly beach, and turned out to have much richer life in its tide pools: everything we saw on Cox Bay, plus little fishies, tiny little crabs, more kinds of seaweed and shellfish. They don’t have to fight the ebb and flow so much. I picked up a few seashell fragments, polished by the waves and bleached by the sun, and that was another difference: would shells survive on Cox Beach long enough to be bleached white before being swept out to sea or smashed against the rocks?

Cove

And that was it. I regret that this is only the second time I’ve been out to Tofino in almost ten years of living in Vancouver. It’s a different place, more relaxed, closer to nature. I’m not sure I could live there long-term, but I treasure the brief times I stayed. And I like to think I’ve brough something back besides souvenirs: in addition to some extra knowledge about the creatures I’ve encountered, I have a greater respect for the vast, uncaring (yet complex and endlessly fascinating) web of relationships that connect them, and me, together.

Comic Book Review: Ghostdancing

I really enjoyed this six-part Vertigo miniseries when it came out in 1995. The art was very good, and though the plot wasn’t terribly deep it was engagingly written, with themes that spoke to me. Ten years later I’m less forgiving of the comic’s flaws, though I still find it an entertaining read.

I really enjoyed this six-part Vertigo miniseries when it came out in 1995. The art was very good, and though the plot wasn’t terribly deep it was engagingly written, with themes that spoke to me. Ten years later I’m less forgiving of the comic’s flaws, though I still find it an entertaining read.

Ghostdancing is the story of an ex-hippie rock star named “Snake” who discovers a drug called “Ghostdancing” which opens his mind to deeper realities. A generation ago he tried and failed to usher in the “Fifth World,” a new era where the humans would live in harmony with nature and the gods, all the filth and corruption of the Fourth World (our reality) having been washed away. Now, with help from some Native American Power-Beings, this dream can become a reality.

Back in ’95 I was starting my spiritual phase, happily exploring Wicca and Neo-Paganism, and had a couple books on Native American myth and history. At the same time, I was getting some practice as an angry queer activist. All this made me the perfect audience to Ghostdancing’s themes of cultural respect, environmental awareness, spiritual awakening, and the the idea that a better, saner world must be possible, though it might take an apocalypse to get it.

Over ten years later—a bit mellower, a lot more cynical—I’m painfully aware of the story’s simplistic black-and-white views and cliché-ridden plot. Snake and the other good guys are generally clueless, innocent and powerless until Coyote-Old-Man blows into town and opens their minds and souls (yet even then they don’t actually get to do much of anything except serve as martyrs or prophets. It’s the gods that take up the real job of reshaping the world), while the main bad guys are called “the Mammonites”: a centuries-old super-secret organization of coldly vicious control freaks, directly responsible for the physical and spiritual colonization of the Americas. Snake’s nemesis, one of the Mammonites’ henchmen, is nothing but a brutal, cocaine-sniffing thug. Basically, it’s the wise and spiritual “Noble Savage” (and Noble Savage gods, and the Flower Children who learn from the Noble Savage) vs. evil materialistic white men.

The spiritual/religious themes that I didn’t mind then, but now just grate, include: the belief in a primordial golden age, and in a golden age that will come again after a spiritual apocalypse if you believe hard enough (see, for example, the Ghost Dance cult, from which this comic got its title and borrowed a few details of the apocalypse). The use of drugs to open your perceptions to a “deeper reality” is an old standby (but not just any drug. Nasty, artificial cocaine numbs your brain. Clean, natural Ghostdancing frees it.) Most annoying of all is the typical New-Agey habit of mixing and matching cultures: the Fifth World is a Hopi belief, but the Power-Beings in this comic are very “Tribe Hollywood,” a generic mix of different mythologies—the famous trickster Coyote-Old-Man, Thunderbird, White-Buffalo-Woman, and various other unnamed human/animal beings.

It does help that writer Jamie Delano knew exactly what he was doing: he admits Ghostdancing is pure wish fulfillment, a wildly over-the-top tale of destruction and renewal coming from a place of outrage at the plight of Native people. And though outrage and passion by themselves don’t make for a very engaging story, I have to say Delano and artist Richard Case have pulled off something pretty special. If you can keep from rolling your eyes at the preachiness, Ghostdancing is a hell of a ride.

Evolution vs. Creation: War of the World Views

I confess, I’d never been to a creation/evolution debate before. Oh, I read up on a few big ones, and of course I’ve done my share of arguing on the Net. And I did attend a talk, way back when, at Ottawa U, on scientific evidence of design in nature pointing to the Biblical God. I was probably still going to church at the time, and had never read any creationist literature before, but I could already tell this twisting of science, logic and Scripture, was pure crap.

I confess, I’d never been to a creation/evolution debate before. Oh, I read up on a few big ones, and of course I’ve done my share of arguing on the Net. And I did attend a talk, way back when, at Ottawa U, on scientific evidence of design in nature pointing to the Biblical God. I was probably still going to church at the time, and had never read any creationist literature before, but I could already tell this twisting of science, logic and Scripture, was pure crap. A few years later at SFU, I went to a couple of events organized by Out on Campus, attended by a mixed group of queers and fundy Christians: “Beyond Homophobia” (a panel discussion on gay-positive Christianity), and a talk by Marc Adams on growing up gay in a fundamentalist environment. I remember it was always so easy to tell the queers from the Xians in the audience, and not just because I knew most of the former group personally. The Xian boys were just a bit too butch, and the girls just a bit too girly. Good times, good times.

So, last night was a first for me: a real formal debate (entitled “War of the World Views”), organized by the BC Skeptics with invited speaker Richard Peachy of the Creation Science Association of BC. This organisation seems to be composed of Young-Earth creationists who believe the Bible is literally true, that the Earth was created in six days just a few thousand years ago, that there was a worldwide flood, and of course that all creatures were made in their present form and can’t change. You know, I didn’t like to believe there were any full-blown creationists in Canada. I mean, that’s a US phenomenon, and aren’t we supposed to be better than the USA? Oh, sure, we’ve got some scary-ass churches out in the boonies, and our own (imported) versions of the Christian Coalition, and Campus Crusade for Christ, and… Damn. Okay, maybe we’re not so much better.

I got there about 15 minutes early, and already the auditorium (seating maybe 400) was three-quarters full. By the time the debate started it was more than full, with a bunch of people sitting in the aisles. I had fun trying to tell the skeptics from the creationists. One guy’s t-shirt a few rows in front of me caused me a bit of confusion. It read, “And God said…” followed by Maxwell’s equations, followed by “And there was light.” Ironically nerdy, or a fundy pretending to scientific literacy? The front of the t-shirt had a wireframe representation of a Black Hole with the formula for the Schwartzchild radius, which… didn’t answer the question. Oh, well.

As expected, all the creationist side had to offer was a round of pathetic attacks on evolution: some vague soundbites about mutation and natural selection being random and destructive, plus out-of-context quotes from various evolutionary scientists (Richard Dawkins, Stephen Jay Gould, Niles Eldredge, Francis Crick, Martin Gardner) but no creation scientists. No positive evidence for creationism was presented, except lots of Bible verses. And it was pretty clear Peachy’s never had to debate with skeptics or scientists. All of his language, his use of the words “they” and “Evolutionists” and “Darwinists,” indicated he was only used to preaching to the choir. Later questions (mixed with some pretty heavy preaching) from creationist audience members weren’t any better, beating dead horses like polonium haloes, Darwin’s alleged racism and the perfectly fine-tuned universe… Bah. This isn’t science. It’s not even good religion. It’s nothing more than willful ignorance, and using their holy book as a security blanket against the big bad confusing world.

Scott Goodman (representing BC Skeptics) also gave an iffy presentation, though in different ways. He spoke very fast, and his tone felt a little… off-putting. I think he tried for “comedic” in a few places, but landed on “flippant, bordering on obnoxious.” Not that I’d have done much better in his place, but I had expected him to be a bit more polished since he’s dealt with creationists before. His presentation mostly discussed some general kinds of arguments used against evolutionary theory—Argument from Ignorance, Argument from Belittlement, and so on—which may not have been the best approach: skeptics would already be familiar with them, and fundies might find the whole thing condescending and tune out. He was more aware of the mixed nature of the audience, though, and made the excellent point that for most Christians, there is no conflict between their faith and science. This is something creationists need to hear, I think. Peachy said at one point, “The Bible supports ethical science for the glory of God,” or words to that effect. It’s creationists for whom this is a religious issue, it’s creationists who are on the offensive, because evolution—in their eyes—denies the glory of God.

Honestly, part of me was hoping for some crazy Xian freakshow, with brimstone and hellfire and ranting, but none of that happened. All I got was very smooth, very polite fanaticism (which actually made it even more disturbing) along with the same old arguments I’ve heard a thousand times before, from one side and the other. It was interesting to see the opposition face-to-face again after so many years, but also a bit depressing because they haven’t changed. They’re still repeating the same dogma, the same clichés, the same lies (there, I said it) and there’s no sign that’ll end anytime soon.

Did this debate accomplish anything? Well, I don’t expect any minds will be changed. Maybe it was the creationists in the audience who got the most out of it, though. I imagine it was good for them to hear some real scientific information and skeptical arguments, unfiltered by their church. Hopefully a few seeds of doubt have been planted, though it’ll probably be years (if ever) before they bear fruit. But on the bright side, if the creationists don’t listen, if they continue their crusade, at least we’ll have people like Scott Goodman and the BC Skeptics to hold the line.

Movie Review: Mission: Impossible III

Say, that wasn’t bad. Lots of action, chase scenes and things getting blowed up real good, which was pretty much what I signed up for. Pity about the plot, though: it felt hugely derivative, patched together from half a dozen other movies.

Say, that wasn’t bad. Lots of action, chase scenes and things getting blowed up real good, which was pretty much what I signed up for. Pity about the plot, though: it felt hugely derivative, patched together from half a dozen other movies (the bit with the wife getting caught up in her husband’s spy world, for example, could have come from True Lies; Ethan’s guilty flashbacks about Lindsey’s death and his eventual redemption as a teacher when his wife kicks ass; Musgrave’s ultimate plan of American domination; the mysterious “Rabbit’s Foot” as doomsday biological weapon; other plot points that just feel so damn familiar). I’m not sure I buy the reveal that Musgrave and not Brassel is the bad guy, but maybe the clues did add up so I’ll suspend judgment for now. And I did appreciate that, unlike the previous movies, the IMF field team worked as a team, instead of being All Tom Cruise, All The Time. Other good points? A surprising amount of eye candy for all preferences. Jonathan Rhys-Meyers is very pretty, and looked good with his shirt off. Maggie Q is very pretty and looked good in that slinky red dress.

Cruise, sad to say, was not eye candy. Oh, he doesn’t look bad, and he’s toned up some since that shirtless scene in Minority Report, but… he’s just not as young as he used to be. (Which is not a bad thing in itself; Scott Bakula and Richard Dean Anderson, to name just two, are both over fifty and still scorching.) I used to think Cruise was hot, back in his Top Gun days, but that ship has sailed, baby. The funny thing is that I’m guessing Cruise knows this but, instead of aging gracefully, he overcompensates with the manly motorcycle and leather jacket. And the endless running scenes. And the four or five separate shirtless scenes. And the girls at his party swooning over him. All to show through Ethan Hunt that Tom Cruise has Still Got It. Or am I reading too much into this? Should I not be creeped out that his movie fiancée looks so much like his real-life beard womb-for-hire fiancée, that they (the movie characters) have this perfect storybook romance, and that his (fictional) in-law family totally adores him?

Okay, let’s give him the benefit of the doubt. Maybe this is just part of the derivative plot and not Cruise acting out the life he wishes he had (or wishes people believed he had). The fact remains that Tom Cruise, himself, is creepy and scary as hell. Maybe I’m more aware of it since he started behaving like the insane little cultist freak he is, but Cruise was always… on. No matter what his lines were, no matter what emotion he was supposed to convey, he always had that feral glint in his eye, that intensity, that frozen grin, indicating (1) this was Tom Cruise acting, and (2) he was just a heartbeat away from going for your jugular or ranting off about Scientology.

But let’s end on a positive note: do you know what the Shanghai scenes reminded me of? The Hong Kong scenes in Deus Ex, with the homey little apartment set against the brightly lit, ultramodern skyscrapers, Hunt following obscure clues just like you would in an RPG computer game. Didn’t see that one coming, but it made me smile. I half-expected Hunt to wear shades at night and look for Tracer Tong or the Dragon’s Tooth instead of the Rabbit’s Foot (which I thought sorta looked like a nanotech augmentation canister. Or maybe an Ambrosia container). And when he called the techie guy for help, wasn’t that kind of like the scene where Alex Jacobson gives JC Denton pass keys and other vital info so he can escape and destroy UNATCO’s evil bosses? Man, what a great game. Style for days, and more plot in each level than M:I:III has in its entire production. And I know this is a horribly cheap shot, but JC Denton could kick Ethan Hunt’s ass any day of the week.

Wearing My Names

To conclude National Poetry Month, I thought I’d post the first and only poem of mine that ever got published. It appeared in the Fall 1994/Winter 1995 edition of The Radical Chameleon, OPIRG-Ottawa’s newsletter. I wrote a number of other poems over the next few years which I never tried to publish anywhere except this Web site—and then took offline for the current version because, well, I don’t think they’re all that good anymore. Except this one.

To conclude National Poetry Month, I thought I’d post the first and only poem of mine that ever got published. It appeared in the Fall 1994/Winter 1995 edition of The Radical Chameleon, OPIRG-Ottawa’s newsletter. I wrote a number of other poems over the next few years which I never tried to publish anywhere except this Web site—and then took offline for the current version because, well, I don’t think they’re all that good anymore. Except this one. Even after all this time, I still feel it’s pretty special, so I’m resurrecting it.

Wearing My Names

Call me Hesitant To Write This.
Spilling my guts isn’t easy for me
Coming out is hard to do.
Call me Shy, and A Private Kind Of Guy.
A piece of paper’s a pretty vulnerable place
For a heart to be.
So call me Forging Ahead Anyways.
After all,
What’s the worst that could happen?

First call me In Denial, and I mean seriously.
Had the desires, the fantasies, but
Never connected them with myself.
How’s that for doublethink?
And who was there to talk to me,
In this shell, in this shell,
And who was there to listen?

The dam broke, the truth came out.
I am homosexual. I am gay.
Call me Alone With My Secret.
Alone at least for a while.
And still afraid to speak out, speak about.
Not strong enough. Yet.

Call me Surprising Myself.
Edging my way out of the closet,
Every time a thrill.
My brothers, my parents.
«Je suis homosexuel.» «Est-ce que t’es sûr?»
“It’s a symbol of gay pride.” Loud and clear.
(Me: nervous, dozens of people around.)
Don’t want to look at pictures of naked women.
“Why?” “Because I&#82 Continue reading “Wearing My Names”

I didn’t do it!

Well, this is kind of creepy.

I know, life is full of weird coincidences. I don’t really want to know the odds of having a convicted gay-basher out there with the same name as me. It’s just a bit disturbing, is all I mean to say.

Well, this is kind of creepy.

I know, life is full of weird coincidences. I don’t really want to know the odds of having a convicted gay-basher out there with the same name as me. It’s just a bit disturbing, is all I mean to say. And for the record: I’m not 19, and I’ve never been to Edmonton.

Comic Book Review: Moonshadow

Meet Moonshadow, the son of a Jewish hippie girl and a madly grinning alien light globe. Raised in an intergalactic zoo, he is kicked out at fifteen with only his cat and a sex-crazed furry weirdo as companions. This 12-part series, originally written by J.M. DeMatteis in the 80’s and republished under the Vertigo imprint between July ’94 and June ’95, is the story of his journey to maturity and awakening.

Meet Moonshadow, the son of a Jewish hippie girl and a madly grinning alien light globe. Raised in an intergalactic zoo, he is kicked out at fifteen with only his cat and a sex-crazed furry weirdo as companions. This 12-part series, originally written by J.M. DeMatteis in the 80’s and republished under the Vertigo imprint between July ’94 and June ’95, is the story of his journey to maturity and awakening.

I have to say, Moonshadow is one comic that hasn’t aged well. In my original review I called it “insightful, brilliant, and absolutely beautiful.” Well, it certainly is beautiful, with stunning watercolor painted artwork (courtesy of Jon J Muth), the likes of which I’d never seen in a comic before. The words and images flow around and into each other in perfect harmony. The series is well-written—quietly paced, silly and touching in turn—but brilliant or insightful? Not really.

Upon rereading the series, the first thing that annoyed me was the plot. Or rather, the lack thereof. Moon wanders the universe, watches his mother die, spends time in an insane asylum, joins the army, loses his virginity, briefly finds a home then loses it… but it’s all just stuff happening to him, one thing after another. His father (one of a race of seemingly omnipotent but completely unpredictable beings) appears at random intervals to move the plot along—or sometimes just to taunt Moon. And, the series is narrated by an elderly Moonshadow, which I feel distances the reader even more from the events and their ultimate importance.

Then again, maybe the plot isn’t so important. Every issue ends with a mention of Moonshadow’s “journey to awakening”—but what is the nature of that awakening? I have no idea. In the last issue, Moon and his companions end up on the planet of Shree Quack-Quack H’onnka, a prophet who claimed to have discovered the meaning of life. One by one they all join the throng of H’onnka’s followers, blissfully marching round in circles in search of their prophet. They know their actions are illogical and ridiculous, but they apparently have total faith that they will one day meet Shree Quack-Quack H’onnka. Moon, however, goes off on his own, led by the ghost (or the memory) of his dead mother. And it’s there, in a cave by himself, that he reaches the end of his journey.

Except that we the readers don’t even end up learning about this awakening, because it’s at this point that the elder Moonshadow chooses to end his narration. I’ll grant that (as he explains) mystical, transcendental experiences are hard to translate into words. But frankly, I feel this is a cheat. In fact, a double cheat, because it seems the entire 12-issue journey has been essentially pointless. Have all of Moonshadow’s experiences served only to lead him to that revelation, at that particular place and time? Was the destination more important than the journey?

Who knows? I guess a series like this is a bit like a Rorschach test: people hungry for mysticism and revelation will find something in it to satisfy them. That was the case for me then. And now? Well, I find the gorgeous artwork satisfying enough.

DNA Songs

I’d put the Journey of Man DVD on my Xmas list, but it seems Santa didn’t think I was good enough last year. So I ordered it for myself and finally got around to watching it this cold, rainy Easter weekend.

In brief, this documentary describes an attempt to reconstruct the human family tree and trace the migrations of human populations as they left Africa fifty thousand years ago, using cutting-edge genetics—specifically, analyzing markers on the Y chromosome, taken from many thousands of men all over the planet, hence the title.

I’d put the Journey of Man DVD on my Xmas list, but it seems Santa didn’t think I was good enough last year. So I ordered it for myself and finally got around to watching it this cold, rainy Easter weekend.

In brief, this documentary describes an attempt to reconstruct the human family tree and trace the migrations of human populations as they left Africa fifty thousand years ago, using cutting-edge genetics—specifically, analyzing markers on the Y chromosome, taken from many thousands of men all over the planet, hence the title. This is ambitious. I mean, I’ve got a couple of relatives who studied the family tree, but their research only went back about three and a half centuries. But geneticist Dr. Spencer Wells (whose research this partly is, and who wrote and hosted the documentary) did more than relate a lot of facts and theories. He actually followed the paths of these migrations, enabling him, and us, to connect with these long-ago humans and understand how they were able to make this journey.

His first stop was with the San Bushmen, the oldest human branch his research has found. They’re hunter-gatherers and have been for thousands of years, using tools and skills probably not too different from their ancestors’ (though now with some metal knives and pots). Wells mentioned a quantum leap in culture between fifty and sixty thousand years ago, a relatively sudden flowering of technology, art and possibly language, that may have been one factor in some people choosing to leave Africa. But I’m guessing the droughts caused by the then-current ice age, leading to population crashes and migrations in our ancestors’ prey (and our ancestors themselves), were probably a bigger factor. Then again, what do I know? Either way, it’s almost certain that humankind’s hunting and communication skills, curiosity and adaptability, was a big factor in their survival once they left their homeland.

The first wave of migrants eventually ended up in Australia. This is where Journey of Man took us next, and we pondered the question of why they left no archeological evidence of their journey. Dr. Wells tried, and failed, to find any mention of the journey from Africa in Australian Aboriginal oral history or art (more on this later). The next stage in the journey was Central Asia. Wells and his team visited a man living in Kazakhstan, whose blood they’d sampled some years before, to tell him he’s the direct male-line descendant of the first people to move into the region 40,000 years ago. And that the genetic markers he carries in his DNA are shared with people in Europe, most of Asia, and the Americas. He looked a bit… overwhelmed. Or maybe it all went over his head. Hard to tell, really. I mean, how are you supposed to react to news like that?

After a brief trip to Pech Merle with accompanying discussion on Cro-Magnons, we were off to visit the Chukchi, nomadic reindeer herders living in northeastern Siberia. It’s a harshly beautiful land of bare snow and ice and pitiless blue sky; hard to believe people have been living there for maybe 20,000 years. But they have; the Chukchi’s survival is due not just to their amazing survival skills but also to their physical adaptations. In a cold environment, there’s evolutionary pressure to have a stouter body, with shorter limbs and extremities, to reduce surface area and limit heat loss—just as the Bushmen’s Kalahari Desert home led to tall and slim body proportions, with bare skin for efficient sweating. Evolution also explains why my European ancestors lost most of the melanin in their skin. In the higher latitudes, with Europe’s then very cold climate, having large amounts of this natural sunblock wasn’t the survival trait it used to be in Africa: with early Europeans bundled up against the cold for most of the year and the sun lower in the sky, there was less risk of skin damage but also less vitamin D being produced in their bodies. Lighter skin meant more UV rays being absorbed by the skin, which meant more vitamin D. How fascinating is that?

But beyond the science, I found Journey of Man deeply moving, because it is a story of survival against terrible odds. And humankind did more than survive: it triumphed and prospered, creating a stunning diversity of cultures and technologies with skill, courage, and probably a lot of luck. I found my perspective broadened: for example, Wells and his team had trouble crossing the border into Kazakhstan because of the war in nearby Afghanistan (the documentary was filmed in 2002). But don’t wars and borders seem terribly arbitrary and pointless when placed against a history measured in tens of thousands of years? Sounds a bit trite, maybe, but there it is. The same could be said for racial categories. I was moved almost to tears by the ending montages of smiling faces of all the people we saw in the documentary. All of them different, all of them beautifully human. All of them, you, me, and every human currently living, cousins separated by only a couple of thousand generations.

Not everybody agrees, though. As I mentioned earlier, while in Australia, Dr. Wells tried to find out if the Aborigines had any oral history mentioning the journey from Africa. One Aboriginal artist he talked to said no, that Aborigines believe they were created right here in Australia. He was quite firm in his convictions, too, saying (in so many words) that he would always believe this. Wells was diplomatic and respectful—a lot more than I would have been, in his place.

In a way, what I’d like you to think about the DNA stories we’re telling is that they are that, DNA stories. That’s our version as Europeans of how the world was populated, and where we all trace back to. That’s our songline. We use science to tell us about that because we don’t have this sense of direct continuity. Our ancestors didn’t pass down those stories. We’ve lost them, and we have to go out and find them. And we use science, which is a European way of looking at the world, to do that. You guys don’t need that.

Kudos, Spencer. I doubt I could have said that with a straight face. As much as I respect people’s rights to their faiths and traditions, I won’t play along and pretend that any culture’s mythology is as valid and useful as science in making sense of the world. Also, I’m doing pretty well without my ancestors’ songlines, thanks very much.

Near the end of the documentary Dr. Wells visited a Navajo community in Arizona, to share his research as he’d done many times before, and ran into a similar stubborn faith. What’s interesting here is that these people were clearly educated enough to understand the science—one of them said he’d already heard of Wells, which puts him one up on me… but they had their stories and were sticking to them. Even though they noticed the faces of the Central Asian people Wells visited were a mix of almost every race on the planet—a bit of African, a bit of Caucasian, a bit of East Asian—they still wouldn’t even consider that Dr. Wells’ research was correct, that maybe the Navajo’s ancestors were originally from Africa. Their only compromise (and it was a pretty smug one) was to suggest that the journey uncovered by Wells’ research and the journey described in the Navajo creation story are in fact the same event. That science was finally discovering what the Navajo people had known all along.

Which… is a bit sad. I’ve seen this kind of thing before: when faced with science, it’s tradition that has to adapt, claim common ground, back off from literalism, perform all sorts of intellectual gymnastics. But that’s a pointless struggle, because science and faith are not equivalent. They don’t speak the same language, they don’t work the same way. As the very diplomatic Dr. Wells said, “My bias as a scientist is that I like to see evidence for things.” But I don’t have to be diplomatic, so let me say that the scientific method is not a bias, it’s a tool to prevent bias. Without it, you end up with a lot of conflicting, baseless tales that stroke the listener’s ego and make one culture the centre of the universe.

With it, you get the “DNA stories.” They don’t necessarily give you comfort, a sense of purpose, or a connection with your ancestors. They don’t come with simple narratives, clear beginnings and endings; no satisfying morals or commandments from on high. But these stories describe worlds and histories far richer and more complex than any cultural myth has ever done, and can fire the imagination like nothing else. Best of all, being based on ongoing scientific research and evidence-gathering—which beats faith (no matter how sincere) and tradition (no matter how ancient)—they constantly strive towards truth. Ideally, they’ll also cause us to strive towards truth ourselves, by questioning our own biases and convictions. To quote Dr. Wells again:

Old-fashioned concepts of race are not only socially divisive, but scientifically wrong. It’s only when we’ve fully taken this on board that we can say with any conviction that the journey our ancestors launched all those years ago is complete.